I make theatre that refuses to tell you what to think.

My work puts you inside situations too complex to simplify on the way home — no comfortable distance, no delivered conclusions. You leave carrying the problem, not the answer.

Form is never decoration. Every play demands its own structure, arrived at from the pressure of its material — monodrama, choral polyphony, public score, cyberpunk, myth broken open, grotesque comedy, noir, horror. The shape is the argument.

I work on how power moves through bodies, language and spectacle: the state, the family, the institution, the screen. I write from Georgia — a ground that gives the work a specific authority, and an address that reaches far past its borders.

I don't stage certainty. I stage the conditions under which it breaks.

— draft · replace with your own words